“For busy, harried or distractible readers who have the time and energy only to skim the opening paragraph of a review, I’ll say this as quickly and clearly as possible: The Death of the Adversary and Comedy in a Minor Key are masterpieces, and Hans Keilson is a genius . . .
Although the novels are quite different, both are set in Nazi-occupied Europe and display their author’s eye for perfectly illustrative yet wholly unexpected incident and detail, as well as his talent for storytelling and his extraordinarily subtle and penetrating understanding of human nature. But perhaps the most distinctive aspect they share is the formal daring of the relationship between subject matter and tone. Rarely has a finer, more closely focused lens been used to study such a broad and brutal panorama, mimetically conveying a failure to come to grips with reality by refusing to call that reality by its proper name . . . Rarely have such harrowing narratives been related with such wry, off-kilter humor, and in so quiet a whisper. Read these books and join me in adding him to the list, which each of us must compose on our own, of the world’s very greatest writers.” — Francine Prose, The New York Times Book Review
